Artist Development
Duff Radio has spent five years documenting the Kansas City underground. This is that same machine, pointed at one artist at a time. Three tiers, from a proper foundation to a full six month campaign.
Three ways in
Entry
$5,000
90 days · two artists at a time
Everything you need to exist properly online and be findable by name.
Flagship · one at a time
$25,000
6 months · one artist, start to finish
A full campaign around a full project. Everything in The Build, and then the things nobody else is doing.
Ongoing
$750/mo
Month to month · cancel whenever
For artists who are already built and need someone keeping the machine running.
Every tier: no rights, no masters, no publishing, no percentage of anything you make. You pay for work, you keep everything.
The foundation, in every tier
01
Not a link tree. Not a template. A real site, custom built and hosted, that belongs to you.
02
The part almost nobody does. When someone hears your name and types it into Google, they should find you, not a stranger with the same name.
03
One full day with a Blackmagic 6K and a real eye. We shoot until we have enough for a season of content.
04
A written interview on the Duff Radio Dispatch, indexed on Google and permanent. Press you can send to anybody.
05
Most independent artists lose more to bad rollouts than to bad songs. We fix the plumbing.
06
You get plugged into everything Duff Radio already runs.
The receipts
Five years, 38 podcast episodes, three mixtape volumes, a video archive, and a website with a live radio station, an interactive map of the scene, a four game arcade, and a news desk that gets indexed on Google within days of publishing. Built and coded in house, by the same person who would be building yours.
The first guest in Duff Radio history, debuting three songs on Show #1 in January 2021. Since then: a full artist page with complete release credits, two long-form podcast conversations, features across Mixtape Vols. 2 and 3, a spot on “Nun' to Say,” and a permanent, searchable home for a catalog that used to live only on other people's platforms.
[REPLACE: what you built for Gee Watts, in two or three sentences. What he came in with, what got made, what it did.]
Fit
A fit
Not a fit
Apply
Two artists at a time. If it is not a fit we will say so, and we will tell you why.
Prefer email? Reach out here.
